Sunday 31 March 2013

I've been having some trouble being able to post any new blogs, probably something really stupid I am doing, or not doing. Maybe this one will work. 
I've been invited to take part in a poetry festival today in Second Life. I very rarely read my poetry, in fact I think the last time I did was the same festival last year. Note to self: take self more seriously as poet and writer. 
As I was going back through what I had written this year and reviewing some older poems I came across this one. I composed this for an event on Autism Awareness, around 4 years ago, out at Tiatopia. I still like it as it says something that is important to me, I spent some years, back in the 80s and early 90s working with adults with a variety of mental disabilities, and became the resident expert on autism- mainly because no-one else knew anything about it at all, at that time. 
Here it is: 

 INDIGO CHILD

You see me different
Don't understand what
In some way I'm odd
Don't seem to fit.

You call me Special,
Look for my gifts,
Savant, Indigo, Future Child,
But I just feel lost.

Well, I can't play Mozart,
Or draw a whole place
With all its details
From just one glance.

I am good with numbers -
To count the cracks,
And the number of times
I turn the taps.

Don't say I'm magic,
Just let me be me,
I'm odd, I'm different,
That's enough to be.

Thursday 21 March 2013


Hidden Mystery
   ~by Fred Burks


In the deepest depths of you and me
In the deepest depths of we
Lies the most beautiful jewel
Shining forth eternally

Within that precious jewel
Within that priceless piece of we
Lies a time beyond all time
Lies a place beyond all space

Within that sacred source of radiance
Lies a love beyond all love
Waiting
          Waiting
                    Waiting
Ever so patiently

Waiting for you, waiting for me
Waiting patiently for all to see
The beauty that is you inside of me
The beauty that is me inside of thee

In the deepest depths of you and me
In the deepest depths of we
Lies the love and wisdom
Of all Eternity

Sunday 17 March 2013


Delinquent daughters.

Mothers, thank the Lord for your delinquent daughters,
Who went off and did what they shouldn't ought ta.
Who danced to a different drum
And followed the Moon and not the Sun.
Found themselves, silvered driftwood, on an empty shore
Still following that elusive star.
Whole, though scarred, and eyes too wise,
A hatful of dreams and no compromise.

They are the ones who flutter home
To a nest that's no longer lined with down,
But with silver gossamer

And two silvered heads ,one haloed white,
One speckled black,
Lean together in the slowly dimming light.

© Catherine Blackfeather 
Here's a poem that was just given to me as I was telling tales for St Patrick's day in Second Life: This is why I do this poetry diary, because poetry just comes. and it becomes a kind of map of your life, laying down a trail of crumbs to follow.

 Arran of the many stags, the sea reaches to its shoulders
Island where comanies were fed
Ridge where blue spears are reddened

Wanton deer upon its peaks,
Mellow blackberries on its heaths,
Cold water in its streams, nuts upon its brown oaks.

Hunting dogs there, and hounds,
Blackberries and sloes of the dark blackthorn
Dense thorn-bushes ints woods
Stags astray among its oak-groves

Gleaning of purple lichen on its rocks, grass without blemish on its slopes
As sheltering cloak over its crags
Gambolling of fawns, trout leaping

Smooth is its lowland, fat its swine, pleasant its fields
A tale you may believe
Its nuts on the tips of its hazel-wood,
Sailing of long galleys past it
It is delightful for them when fine weather comes
Trout under the banks of its rivers
Seagulls answer each other round its white cliff
Delightful at all times is Arran.

Saturday 16 March 2013

I'm not sure if this poet is one of the poets I have met in Second Life or someone else- I was given a folder or her work and I like them all. Here's one that feels just right for me at the 
moment. 
  

Thresholds
Virginia Hamilton Adair

I stand at evening at the open door,
And see the wind I never saw before.

Freed from the restless eyes I've left behind,
I move through endless galleries of the mind.

Lord as I cross the threshold into light,
Pray keep my soul and give me back my sight.

Friday 15 March 2013

I was down the doctors' surgery with mother today and noticed this leaflet called Poems in the Waiting room. this is what this blog is about- poetry that just comes by you in your daily life.
Here's one from the leaflet  I like:

Midwinter by Judy Kendall

One breath
beyond the muffled
silence, and
from somewhere
comes floating
the fragrance
of a hyacinth,

light,
unexpected in the snow.


Thursday 7 March 2013

Here's a turn-up for the books!! My lovely friend, Judy Cullen, who encourages me so much in my writing has published a collection of her short stories on Kindle.  They all have an Irish theme, I'll write more after I have had a chance to read them all. Here are the URLs to buy them if you have a Kindle. 


UK one
 http://www.amazon.co.uk/Trio-Irish-Tales-ebook/dp/B00BPFX89E/ref=sr_1_2?ie=UTF8&qid=1362628431&sr=8-2

US one
 http://www.amazon.com/Trio-Irish-Tales-ebook/dp/B00BPFX89E/ref=sr_1_5?ie=UTF8&qid=1362594922&sr=8-5&keywords=Judith+Cullen

Wednesday 6 March 2013

Here is a poem by my dear friend and sister in heart Lissa Chakir

The Cup

 cup half empty or cup half full
the cup itself most important or all
it fills and spills and fills again
the greatest treasure, never owned
in truth it is the holy grail
always an arms length away 
its the only path that cannot fail

polished with time, never old
the cup of love shines like gold

Safi/Lissa 

Sunday 3 March 2013

Descent

I have started to work on a new dance piece.  It will be a duet and is intended to be quite intense. It will be called 'Descent'.  
There are so many things we learn through our bodies. In ways we don't often acknowledge.  
The unsaid words, the habits of thought and feeling, all the millions of patterns we build over a lifetime. All these lodge in the body, to become the way we hold ourselves, the way we breathe.  We send messages to each other through this, it becomes the way we hold our children, talk to strangers, treat our lovers. 
Now we no longer live alongside those who are aging, sick or dying. they are sent away to care homes and hospitals. So this source of knowledge, the unspoken body knowledge, is being lost. Old age is an incurable condition, it always worsens and is ultimately 100% fatal, and we all get it. But now- even as our doctors and scientists learn more and more about it, we experience less and less of it through our animal selves, our bodies.
I have decided that this phase of my life, while I live with and care for my mother on this last journey of her life, will be a gift to myself. A time of learning and openness. I know this is romanticisation of a process that is far from beautiful, but that is the choice I have made. 
And that will be the subject of the dance piece.
Starting with the long slow descent of the spine, it will explore, gather and weave this experience into something .... that may, just may ... make sense.  
I found this poem I had scribbled on a piece of a programme coming back from seeing a ballet in Sadlers Wells last year.  It's part of this weave:


The Separation of Difference


We are constantly being born.
That first wrenching parturition
Constantly repeated.

To blend is bliss
But to separate is to become.

This mother’s womb does not devour,
Suffocate,
But still, it clings,
Reaches out to a hand long gone,
Though still-present.

That never knew oneness, sameness,
Only ever the separation of difference. 

And I cannot go with you, 
Small hand in yours,
On this last journey
Alone.
Cath Blackfeather


Saturday 2 March 2013


A drunk poem


So 
When did this become the plan for my life?
When I said
I'd walk my own path
I didn’t know I meant
Alone

When I said I'd walk the path of integrity,
Be true to myself,
Come what may
Somehow
I thought there'd be another
Who'd walk it with me.

Not this, half drunk
Aloneness
In the middle of the night.
This surreal moment of pinpoint awareness
Shared with none.

But I'd still rather my life than theirs.
Those ones who gave up their
Bright crystal beauty and selfness
To be … what?
A shadow of what they were given
In that moment when they chose birth,
To come again?
Was that what they chose?
To live an eroded life.
Rounding off the rough corners 
Of their given beauty.
Not to pulse in the darkness
An explosion of glory
A green shoot of life
That knows its way
To the light. 




I went for a walk today- it was grey but dry, so I went into the woods. 

They are beech woods, tall grey trunks with smooth bark. Absolutely bare branches and a carpet of brown dry leaves on the ground.  I love it this time of year as there is no undergrowth and not a lot of wildlife around, so you get this sense of openness and silence. but not deadness- the woods seemed very much alive, like the land itself was waking up and haunting itself. Have you ever read Ghormenghast? There is a scene when Titus escapes to some woods near the castle that has that same feel.  
I feel called to walk in different places from where I normally go.  I follow the trail, treading carefully over the dry but somehow soft dead leaves, away from the muddy paths. I see a hollow at the base of a tree, and go over to look.  The hollow is deep with a thick lining of brown leaves. I walk on, along a wide muddy track watching the trees on either side of the road, enjoying the space and quiet. I see a tree with twisted lumpy growths on its trunk, a gall or canker; another a dead spike long since broken off at the top, a holly, its leaves gleaming with the light that falls through the bare winter canopy; then I feel a pull to my right- downhill. There is a little plaque on a post, "These woodlands are dedicated to the memory of ......, by the Woodland Trust."  I see a place along from it that is stripling trees, thin poles growing close together in a circle, open in the middle. I approach and  find a hollow drops away below my feet, not too big but bigger than a fallen tree would make as it pulls up its roots and the soil from under it. Beech trees are shallow rooted, so they can fall easily in storms. I walk lightly- lifting my feet carefully and quietly, Now there is a place where a tree fell decades ago and has rotted almost to nothing. The mound of earth it pulled up has a badger hole in it, not used lately but there are big chunks of chalk in the soil that has been flung out of the sett and blue flints in among them. There are some big ones, with broken off ends, still coated in white chalk on the outside.  I see flint as molten matter that fell millions of years ago into the sea, after being gouted out by a volcano,that gradually cooled and coalesced like hot toffee in water, hardening to globules of smooth waxy brittle stone that settled on the chalky bottom of that ancient sea, to be covered and covered by zillions of tiny dead shellfish that fell through the same water for an age before being raised up to become land. I have no idea if I am right but can think of no other explanation. I pick up 3 large flints and carry them back to the path. I look for the tree with the hollow at its base, I recognize the holly, the broken spike of dead tree and the strange warty trunk of the cankered tree. I find my way back to the hollow, leaving one flint in a different hollow that can be seen from the path. Finally I place the two flints, one like a seated female figure, another tall and narrow, bedded down in the leaves in the hollow. A queen and consort. They can't be seen from the path.  I'll probably not be able to find them again myself.  My job is done. I pat the tree and leave. I walk along the path now- not needing to branch away. I wave a greeting at the place where I got the flints as I pass it again, step briefly between two trees growing so closely together you can feel the energy between them, a special node that seems quite chatty. I can sense the pulse of life- sap rising in the dormant looking tree. A dog-walker calls from further along the path, so I go back and walk like a normal person.    

Friday 1 March 2013


How a heart breaks


It does not break with a big bang.

First there is a small hole, like 
mice starting to nibble away 
pieces of cheese.
You hear the noises of little feet
scratching, tapping, the munching. 
You see the crumbs
covering the ground.
You know the mice are there, but 
you cannot find them, so
you clean up and pretend 
it is just your imagination.
You do this day after day after day
until finally you look for the cheese: 
it lost substance, 
cracks run through it like veins;
you take it and it falls apart, 
crumbles through your fingers,
falls into the silence whispering a last
I love you.

(C) February 24, 2011 - Morgue McMillan